Decoupage Social Enterprise INC. is a Taiwan-based supplier of accurate CT and Lux lamps, which appear to be lighting products designed for color temperature and illuminance accuracy. The company serves wholesalers, distributors, brands, and direct B2B buyers.
Supplier-declared, pending confirmation
【Product Specifications】 【Product Model】PL-501 【Effective Illuminance】200–800 lx / 45 cm distance / 13 levels 【Beam Angle】120° 【Color Temperature Range】3000–6000 K / 16 levels 【Test Laboratory】UL Solutions Taiwan 【Standby Time】24 hours 【Operating Time】1–4 hours (varies with the illuminance setting) 【Microprocessor】32-bit dual-core 【Chip Manufacturer】TSMC 【Operating Power】DC 5V / 2A / 10W 【Batte
Quote this
【Product Specifications】 【Product Model】EL-101 【Color Temperature Range】2600–6500 K / 42 levels 【Specified Color Temperatures】UV365 / F-2700K / A-2856K / TL83-3000K / TL84-4000K / CWF-4150K / D65-6500K 【Illuminance Range】200–4800 lx / 45 cm / 24 levels 【Effective Illuminance】45 cm: 200–4800 lx; 75 cm: 200–2400 lx; 95 cm: 200–1700 lx (24 levels, 4000 K) 【Effective Area】45 cm: 0.74 m²; 75 cm: 1.52 m
Quote thisDesign, prototyping, production, and acceptance should not each sing their own tune. First, let the light be clearly defined. Only then can we give each color its correct name.
What is correct in the Color Plan is not necessarily still correct in the sample, on the production line, or at final acceptance. First establish a repeatable Accurate Light reference; only then can we speak of repeatable color.
The same design, under different light, reveals different expressions. At each stage, deviations quietly accumulate from inconsistent light sources. Rework is merely a surface cost. What is truly lost is the brand’s rightful, cherished reputation.
The same product under different light sources will inevitably appear different. When each team uses a different light source, problems accumulate along the way. Rework is only the visible cost. The heavier cost is distorted communication and broken brand trust.
Establish one shared light-source standard, from design all the way through final acceptance.
The color plan cannot simply record color codes. It should also record the pleasing light-source conditions.
A color plan should not contain only swatches. It must also state the light conditions at that moment.
Can the subsequent sampling, mass production, quality inspection, and customer acceptance all be carried out under the same lighting conditions?
Use the agreed light conditions to check the artwork, materials, and sample together. Let the standard travel with the work. Do not leave it behind on the designer’s desk.
Let that light, preserved as a trace, shine again and again on every product. So that everyone may retain its record, along with the original name of every color.